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Jeremy Kost, Taylor Baldwin & Matthew Sutton at Conner Contemporary Art

JEREMY KOST: Anyone Other Than Me …
TAYLOR BALDWIN: Living Fossil
MATTHEW SUTTON: Sounds a Grown Man Should not Make

January 16 – March 6, 2010

Conner Contemporary Art is very pleased to present concurrent solo exhibitions by three gallery artists: Jeremy Kost, Taylor Baldwin and Matthew Sutton.

JEREMY KOST

Jeremy Kost's latest body of work, "Anyone Other Than Me...," reveals the intensely personal nature of his art. The growing notoriety of the artist's captivating photographs - of club kids, celebrities, transsexuals, and beautiful young men - issues from his prowess in the New York social scene, a deliberately cultivated capacity, which lies at the core of his creative process. Kost's odyssey into the inner-circles of glam sub-cultures began in Washington, DC, where he lived from 1999 to 2003. Now thin and fit, Kost describes himself as formerly being a "250-pound fat kid from Texas." Living in DC, he created a new body image, developing a lasting devotion to the gym, which was inspired, in part, by his fascination with gay nightclubs. During this time, Kost made frequent visits to New York, where he began to infiltrate night-life, using a Polaroid camera to interact with fashionable and well-connected people whom he may not have found accessible otherwise.

Since moving to New York six years ago, Kost has become an A-list guest at film premieres, art openings, and society parties. In the tradition of Andy Warhol, Kost documents cultural sub-currents, and records fleeting traces of celebrity. Like Nan Goldin, also from DC, Kost uses the camera lens to capture unpolished glimpses of human interaction. Kost presents his Polaroid output unedited, a strategy which, he asserts, "keeps the integrity of the whole moment unfolding before you." The directness of his medium foils the carefully constructed public identities of his subjects; It also exposes the essential substance of his art, which is not so much about the people he photographs, as it is about his own relation to them.

Focusing on access as the currency of the New York club set, Kost invites us to evaluate what roles our attitudes play in the cycle of desire, opportunity, and attainment that fuels the art world and shapes society in general. Kost will return to DC accompanied by several of the NYC club personalities featured in his work, through whom he will bring his images alive for the night. January 16th, after the gallery opening, Kost will stage a performance at the Rubell family's Capitol Skyline Hotel.

Kost's work was recently exhibited in Paris, France , New York, NY and will also be seen in an upcoming exhibition Spring 2010 at The Warhol Museum, Pittburgh, PA.

TAYLOR BALDWIN

In "Living Fossil," sculptures and drawings by Conner/*gogo artist, Taylor Baldwin, explore personal, economic, and environmental relationships between people and objects. The artist explains, "The role I see for my objects and installations is of creating actual physical anomalies: finding the point where the physical world oscillates between raw material and known form, familiarity and disorientation." Baldwin sculpts familiar forms, such as chainsaws or skulls, out of various matter that he finds, salvages, barters, or steals. Inherent in his complex amalgams are material histories, anecdotes, and provenances, which posit a problematic framework of transaction and ownership.

Baldwin's sculpture "The Sun Never Sets" will be featured at the opening of new permanent space at the Tucson Museum of Contemporary Art, Tucson, AZ in March 2010.

MATTHEW SUTTON

In "Sounds a Grown Man Shouldn't Make," Conner/*gogo artist, Matthew Sutton, presents a selection of sounds, which, he explains, "I make on a regular basis. These sounds sometimes meet with disapproval from friends, family, and coworkers." Sutton elaborates, "Sound making is probably my longest established, most consistent, and maybe most personal activity." This will be Sutton's second solo exhibition with the gallery.

>>>

There will be an opening night reception, Saturday, January 16th from 6 to 8pm. Artists in attendance.

Jeremy Kost performance + after-party at The Rubell Family's Capitol Skyline Hotel (video lounge), January 16th: 9pm –until. rsvp essential.

Also opening: Industry Gallery celebrates their Grand Opening with the first US solo show of NY-based artist Shlomo Harush and his functional pieces of sculptural art made from stainless steel and aluminum.1358 Florida Avenue, NE, Second Floor, Washington, DC 20002 / info@industrygallerydc.com

Additional information and online catalogue may be found at: http://www.connercontemporary.com/.
For further information or images, please contact the gallery @ 202-588-8750 or info@connercontemporary.com.

Conner Contemporary Art is located at 1358 Florida Avenue, NE –Washington, DC 20002 in the Atlas / H Street Historic District. Gallery hours: Tuesday - Saturday 10-5pm.

Clipped from email

Filed under  //   art gallery openings   conner contemporary art   stuff i want to check out  

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Brookings Event: Alec Ross on U.S. Diplomacy in the Age of Facebook and Twitter - Dec 17

On December 17, the Brookings Institution will host Alec Ross, the secretary of state’s senior advisor for innovation, for a discussion of these new tools of diplomacy.  Before joining the State Department, Ross served as convener for technology, media and telecommunications policy for Barack Obama’s presidential campaign. Previously, Ross helped lead One Economy, a nonprofit organization addressing the digital divide.

Brookings Nonresident Senior Fellow Kristin Lord, vice president of the Center for a New American Security, will join the discussion following Mr. Ross’s opening remarks. Brookings Senior Fellow Theodore Piccone, deputy director for Foreign Policy, will provide introductory remarks and moderate the discussion. After the program, panelists will take audience questions.

Thursday, December 17, 2009 - 10:30 AM to 11:45 AM
Saul/Zilkha Rooms, The Brookings Institution
1775 Massachusetts Ave., NW, Washington, DC

http://www.brookings.edu/events/2009/1217_diplomacy.aspx

Filed under  //   diplomacy and social media   stuff for journalists   stuff i want to check out  

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Seminar at Illinois At The Phillips: Art and Politics Since 1990

This seminar will examine how contemporary art engages society, culture, and politics. Special attention will be paid to how art since 1990 has negotiated globalization, at times finding resources within its development, at others, contesting its structures and effects. However, our study will not be limited to an investigation of globalization, we will also examine related topics such as gender, the privatization of the public sphere, labor, the environment, and war and terrorism. We will examine these issues through select cases of artistic practice that parse these issues and raise new options for forms of resistance, as well as for new modes of being and belonging in the world. Readings are selected to pose strong critical positions and to raise experimental theoretical possibilities, with which we will engage and problematize through discussions and written work. Readings will include work by Michael Hardt and Antonio Negri, Gilles Deleuze, and Irit Rogoff. The course will emphasize, but not be limited to, an exploration of new media, photography and video, site specific installation, and the projected-image. Artists discussed will include Allan Sekula, Melanie Friend, Walid Raad, Francis Alys, Eyal Weitzman, Dara Birnbaum, Kim Soo Ja, Simon Starling.

4 undergraduate credits, 4 graduate credits, non-credit

Meets:
Jan 25 - Apr 19, 2010

Mondays, 5-8pm
Carriage House Conference Room, The Phillips Collection

Thinking about participating in this seminar; met someone yesterday from the program.

Filed under  //   art and politics   art lectures   society and culture   stuff i want to check out  

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Russian Opera Soiree at the Russian Cultural Center

Dawn wants me to go to this one. Facebook invite:

Host: International Club of DC
Date: Thursday, December 10, 2009
Time: 7:30pm - 10:00pm
Location: Russian Cultural Center
Street: 1825 Phelps Place NW
City/Town:  Washington, DC

We cordially request the pleasure of your company for an unforgettable opera performance by Vladimir Gertz, a renowned Russian opera bass singer, from the Bolshoi Theatre in Moscow. Our evening starts with a warm and friendly reception with Russian caviar, spirits, and champagne along with traditional Russian Hors d’oeuvres. Afterwards, Vladimir Gertz will present his internationally renowned performance of famous opera arias. Come alone or bring friends for a friendly soiree of opera, cuisine, art, and culture. Space is extremely limited. Space is extremely limited. Please reserve your tickets soon, as the event is expected to sell out.

RSVPs MUST be made through the ICDC website!

Purchase tickets online: http://www.internationalclubdc.com/Events/EventDetails.aspx?EventGUID=DF564585-668C-4071-8A22-2F82ABCC7B85

:::: OPERA/MUSICAL PROGRAM
1. Romances by Tchaikovsky, Rachmaninov
2. Russian Romances by Glinka, Dargomyzhskiy
3. Russian Folk songs by Nekrasov.
4. Popular Russian songs by Shaporin, Gavriolin, Prokof’yev, Shostakovich, Dunaevsky
5. Arias by Geine, Dargomuzhskiy, Musorgskiy

:::: About Vladimir Gertz
Vladimir Gertz is a unique figure among Russian bass singers. He is equally comfortable performing classical repertoire as well as Russian folk and popular songs. A graduate of Moscow State conservatory, Vladimir Gertz was invited to join the famous Bolshoi Theatre in his mid-twenties. He performed as lead bass singer in famous operas by Prokofiev, Rossini, and Verdi. Later on as a soloist of Moscow State Conservatory Vladimir Gertz turned to chamber music. With his chamber music program Vladimir Gertz gave tours in Russia, Europe and the US. He is the founder of some major international music festivals including “Russian Winter Festival” in Toronto, and “International Pushkin Music Festival” in Moscow.

:::: RECEPTION
You will have the opportunity to indulge in a variety of Russian food and beverages served in the reception area. World-renowned Russian Vodka will lead the competition in the selection of beverages at the cash bar.

:::: FEAST ON A TRADITIONAL RUSSIAN DINNER RECEPTION
Our Russian chef has prepared a selection of Russian delicacies for your enjoyment.

Zakuski or Appetizers
Caviar
Pomegranate Salad
Russian Salad

Entrees
Plov (Fried rice with lamb)
Chicken Fiesta
Eggplant Caviar

Dessert
Chocolate Mousse with fresh fruits

:::: Requested Attire
Cocktail Attire Requested

:::: Tickets and Registration

RSVPs MUST be made through the ICDC website!

Source: http://www.facebook.com/event.php?eid=185748088246

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District Calling: Freedom @ DCAC Dec. 5

District-calling

From new friend Melissa Krodman:

Friends! Neighbors! Fellow Humans!!

District Calling: Freedom is almost arrive-ed. We are siked. The show has really come together and let me tell you - the artists involved are incredible. I'm so excited to have people see what we've been working on.

There's video art, there's sinuousness, sermoning and somersaults, there's beautiful music galore, there's an orb and a monolith for crying out loud. yes.

I truly hope that you can be there to experience our humble experiment in collaboration.
Tickets for 7:30 are almost gone but still available for 10pm - call to reserve!

Saturday, December 5
DC Arts Center, 2438 18 Street NW, Washington DC
7:30 pm and 10 pm shows / $10
For tickets call: (202) 462-7833

For more info: http://ownthepress.com/?cat=13

District Calling artists are:
Carmen Wong, Producer and Creative Director of Banished? Productions
John Moon, Sound Artist, member of Cornel West Theory
Ayo Okunseinde, Video/Visual Artist and Co-founder of Ayyoko Confidential
Sean Peoples, Sound Artist, owner of experimental label Sockets Records, DJ (Fatback)
Vivianne Njoku, Percussionist, Storyteller, and Member of the Band noon:30
Britton Powell, String Instrumentalist and Member of the band Hume
Melissa Krodman, Performer, Writer, Producer
Rashad Dobbins, Lyricist and “Blak Fantasy” Experimental Theatre Creator
Heather Doyle, Dancer (Daniel Burkholder/The Playground, Liz Lerman)
Yvonne Gilmore, Poet, Lecturer, Member of Cornel West Theory
Aaron Thompson, Singer, Songwriter

District Calling is partially funded by the DC Commission on the Arts and Humanities and sponsored by Massey Media and Affinity Lab.

Filed under  //   affinity lab   artists collaborating   building communities   dc arts commission   massey media   stuff i want to check out  

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Santa Lucia After Dark @ House of Sweden: December 12 Black Tie Event

Unknownname

Get your tickets today at http://ICDC.info/LuciaGala

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Art is _______

Join us in remixing new definitions of art, using the words and images of artists in the Phillips Collection, as well as your conversations and experiences.

Set in the THIS IS NOT THAT cafe at the Phillips Collection, this interactive experience will last from 5-8:30pm THIS THURSDAY, December 3rd. Come when you like, as you are, or as you want to be. Free admission.

Soundscapes by Yoko K.

Filed under  //   art clippings   blogs i love   pink line project   stuff i want to check out  

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Peter Schjeldahl Reviews "1969" at P.S.1 and Says: No Young Need Apply.

P.S.1 Contemporary Art Center presents 1969, a large scale exhibition occupying the entire second floor with works drawn from every department of The Museum of Modern Art. Exploring a cross section of art made during a period marked with revolution and socio-political tumult, this exhibition also will embrace five interventions by a current generation of artists whose work reflects the concerns of 1969 and brings the exhibition into the present. These younger artists will be given free reign to respond to the works on view and to the time period in general.
“1969” is authentically lugubrious; the only truly depressing aspect of the show is the inclusion of new work by young artists who prove that conceptually driven art, as a phenomenon in and about institutions, has gone essentially nowhere in forty years. Stephanie Syjuco re-creates works by Beuys. Why? (Richard Pettibone’s miniature repainting of a Frank Stella was already jejune in 1969.) Hank Willis Thomas reasonably—but tediously—fills in a missing African-American perspective with pieces reproducing pictures and headlines from Ebony and Jet. Messy installations by a group called the Bruce High Quality Foundation coyly critique museum functions. It seems that we’ll never be permitted to graduate from the university of the obvious.
The artists acting as commentators are Base, The Bruce High Quality Foundation, Mathew Day Jackson and David Tompkins, Stephanie Syjuco, and Hank Willis Thomas.

Filed under  //   art reviews   contemporary art   stuff i want to check out   the new yorker  

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